一(yī )直作為米路斯(sī ).科曼(🐽)劇本鐵(tiě )三(sān )(🏽)角(另一位是(🕋)帕培錫(xī ),也(yě )(🔱)是本片編劇之一)(🎹)成(🆖)員的艾(ài )雲.巴薩,當然也走低度戲劇路線(xiàn )(🎲)。同是音樂家(jiā )的彼德與(⚫)卡(kǎ )洛老友重逢(féng ),生活狀(🕖)況大不同,你(nǐ )(🔲)有伴侶(🚉)我有家(jiā )庭(🕌),然而都有(🥞)說(shuō )不出的不明朗,唯(🚑)有以(🥀)酒(🕕)與音(yīn )樂(🐖)代(dài )替(tì )(🔊)口水(⏺)。全片推展不(bú )問目的,只在(⏯)剎那間的意(yì )圖(tú ),行行企企比起科(kē )曼更義無反(fǎn )(🐑)顧(gù ),卻(🤠)有生活淡如(👓)流水(🙉)的詩意和繆思,叫觀眾聯想(🔔)到二十年(⛳)後(hòu )的(💠)伊力(⛳).盧馬。巴薩鍾愛音樂的(de )(⚾)程度不下於(yú )文字和電影,古典(diǎn )音(👊)樂與民(mín )間音樂於全片迴(huí )轉迴盪,難怪成(chéng )了(le )奇斯洛(🚶)夫斯(📟)基十(💯)大(😝)心愛電影之一。 康城影(yǐng )展(zhǎn )青年(💏)評(píng )(📸)審團(tuán )獎,美國全國影評人協(🚲)會(📐)特別(bié )獎 (👄) 這部(bù )1966年的珍品(pǐn ),是捷克新浪潮(👗)短(🎦)暫生命中最佳作品之一。成名音(📬)樂家到小鎮探(🚤)訪舊同學,舊同(🈺)學是個窮音(🈳)樂教師,有(🌲)時在(zài )喪禮(lǐ )上吹奏樂曲(😲)。平凡的素材在巴素手裡,變出風趣復(👆)罕見的旋律,一部憂鬱的喜劇(jù ),或(huò )灰色(sè )(👔)喜劇(jù )。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice (👚) (🎻) (🥙)Source HKIFF Czech New Wave 2006
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